07/24: Ang is promoted to Associate Professor at the School of Architecture at Northeastern University.
05/24: “The Problem with Plastic Rocks,” is published in Log 60: The Sixth Sphere, guest-edited by Brittany Utting and Albert Pope.
05/24: The File of Plastic Rocks is on display in The Commission on Circularity at the Copenhagen Architecture Festival (CAFx).
04/24: Ang presents at Beyond Provenance, a symposium at Princeton University’s School of Architecture organized by Erin Besler and Sarah Hearne.
04/24: Ang receives the 2024 Excellence in Research and Creative Activity Award at Northeastern University.
03/24: Ang joins Xavi L. Aguirre, Lauren Yeager and Tizziana Baldenebro in Amassing Plastics, a panel discussion at the Carnegie Museum of Art moderated by Alyssa Velazquez.
03/24: Everlasting Plastics opens at the Heinz Architectural Center at the Carnegie Museum of Art. The exhibition will run from March 9 – August 11, 2024.
02/24: Sand Stools is exhibited at the 2024 Kitchen & Bath Industry Show (KBIS) in Las Vegas.
2023
11/23: Ang lectures at Syracuse University’s School of Architecture in New York City as a part of the Fall 2023 Public Lecture Series.
10/23: Ang presents in Canal to Cuyahoga: Everlasting Plastics in Context at the Cleveland Museum of Art, a symposium hosted by SPACES and Case Western Reserve University's Department of Art History and Art.
09/23: Ang is a respondent for D.E.P.O.T: Back-of-House, an exhibition and gallery talk organized by Amelyn Ng, Gabriel Vergara and Christine Giorgio in the BEB Gallery at the Rhode Island School of Design.
09/23: Ang takes part in Boston Mayor Michelle Wu’s AAPI Arts & Culture Community Convening at the Kennedy Center in Boston, MA.
08/23: Ang presents her residency work at Kohler at an artist talk at the John Michael Kohler Arts Center in Sheboygan, Wisconsin.
06/23: Ang begins a 3-month residency in the Foundry at the Kohler Arts/Industry Program in Kohler, Wisconsin.
05/23: Balancing Acts and Place of Assembly are featured in an essay on “Stubborn Materialism” by Gabriel Cira in Art Paper.
05/23: Ang discusses the role of EPS foam in the building industry in a review of Everlasting Plastics in The New York Times by Ted Loos.
05/23: Ang takes part in a panel discussion on Everlasting Plastics at The Human Safety Net, Procuratie Vecchie, in Venice.
05/23: Everlasting Plastics opens to the public at the United States Pavilion at the 18th Venice Architecture Biennale. The exhibition is curated by Tizziana Baldenebro, Lauren Leving, and Paula Volpato, and will run from May 20 – November 26, 2023.
2022
10/22: Ang is selected as one of five designers to exhibit in Everlasting Plastics at the United States Pavilion for the 18th Venice Architecture Biennale.
09/22: Ang joins the Rotch Travelling Scholarship as a committee member.
09/22: Ang is awarded the Kohler Arts/Industry Residency by the John Michael Kohler Arts Center in Sheboygan, Wisconsin.
09/22: Ang lectures at “Mining Waste: Designing in a Broken World,” with Billy Dufala (RAIR, Philadelphia) and Amy Seo (Second Edition, Australia) as a part of Collapse, a symposium series at the Center for Complexity at the Rhode Island School of Design.
08/22: Place of Assembly is featured in Enduring Streets: Resilience and Response in Boston’s Chinese Community at the Boston Public Library’s Chinatown branch, curated by the Tisch College’s Program for Public Humanities at Tufts University and the Chinese Historical Society of New England.
08/22: Place of Assembly is relocated to the Leather District Park in Boston, with generous support from Now+There and the Mayor’s Office of Arts and Culture.
07/22: Brutal Podium, a site-specific furniture installation created in collaboration with the North Atlantic States Carpenter’s Training Fund, is unveiled at Boston City Hall for Mayor Michelle Wu’s Inauguration.
06/22: “Building with Air,” is published in Fulfilled: Architecture, Excess, and Desire (Applied Research and Design: 2022), edited by Ashley Bigham.
05/22: Balancing Acts is featured in Ecologies of Inception: Design Potentials on a Warming Planet (Routledge: 2022) by Simone Ferracina.
03/22: Window Dressing is exhibited in New Middles, at the College of Architecture and Planning at Ball State University, curated by Janice Shimizu.
2021
12/21: Ang moderates “Design for Assembly: Public Art, Public Space,” a panel discussion at the Center for Design at Northeastern University.
11/21: Ang lectures at the Peter Guo-Hua Fu School of Architecture at McGill University, organized by David Theodore.
11/21: Ang presents recent work at “Faculty Talks” at the School of Architecture at Northeastern University.
11/21: Place of Assembly is featured in an article in The Boston Globe.
11/21: Place of Assembly opens in Chinatown Backyard in Boston, in collaboration with the Now + There Public Art Accelerator Program and the Asian Community Development Corporation (ACDC).
10/21: Ang takes part in “Mapping the New Middle: Design Research Conversations,” at the Eskenazi School of Art, Architecture & Design at Indiana University.
08/21: Ang discusses Window Dressing at “New Middles: Exhibit Columbus Participants Panel” at the First Christian Church in Columbus, IN.
08/21: Window Dressing opens at the Commons and Courthouse Center in Columbus, IN as a part of New Middles: From Main Street to Megalopolis, What is the Future of the Middle City? curated by Mimi Zeiger and Iker Gil for the 2020-21 cycle of Exhibit Columbus. The exhibition will run from August 20 – November 28, 2021.
06/21: Ang is interviewed for “Trash Talks,” in Pidgin Magazine, Issue 29 with Billy Dufala and Ana Peñalba.
03/21: Ang presents “Taking Stock,” at the Edinburgh School of Architecture & Landscape Architecture, organized by Moa Carlsson and Simone Ferracina.
03/21: Ang takes part in “20 Years, 21 Banham Fellows,” a symposium at the University at Buffalo, School of Architecture.
01/21: Ang is awarded The Journal of Architectural Education’s Design as Scholarship Award.
2020
10/20: Ang gives a lecture of recent work in the Department of Art at Wellesley College, organized by Andrew Mowbray.
09/20: “All That is Solid,” is published in The Journal of Architectural Education, Issue 74:2: Othering (September 2020).
8/20: Ang is awarded the 2020-21 University Design Research Fellowship by the Landmark Columbus Foundation.
02/20: Ang exhibits in “Fulfilled,” a group exhibition curated by Ashly Bigham at the Banvard Gallery in the Knowlton School of Architecture, Ohio State University.
04/20: Ang receives the Excellence in Teaching Award in the College of Arts, Media and Design at Northeastern University.
02/20: Ang lectures at Syracuse University, School of Architecture, Syracuse, NY, organized by Gregory Corso.
02/20: Ang presents Balancing Acts at “Fulfilled,” a symposium at the Knowlton School of Architecture, Ohio State University, organized by Ashley Bigham.
01/20: Ang participates in “Human by Design,” a launch event for the Center for Design at Northeastern University.
01/20: Ang is selected as an Artist in Residence for the 2020 Now+There Public Art Accelerator Program.
2019
11/19: Ang organizes a workshop at Space p11 in the Chicago pedway with Joseph Altshuler and the School of the Art Institute of Chicago.
11/19: Ang organizes “Trash Talks,” a 2-day workshop at Revolution Recovery in Philadelphia, with RAIR (Recycled Artists in Residence), New Affiliates, and students from Northeastern University.
10/19: Ang presents work at the “RISD Thesis Colloquium,” in the Dept. of Architecture at the Rhode Island School of Design.
09/19: Inventory is exhibited in Drawing Attention: The Digital Culture of Contemporary Architectural Drawings at the Roca Gallery in London as a part of the London Design Festival. Curated by Grace La, Amy Kulper, and Jeremy Ficca.
09/19: Balancing Acts is exhibited in (Re)constructing Evidence at Boston Cyberarts in a group exhibition with Dietmar Offenhuber, Meg Heckman and Jennifer Gradecki.
09/19: “Taking Stock,” is published in The Journal of Architectural Education, Issue 73:2: Work (September 2019).
08/19: All That Is Solid opens at Space p11 in Chicago as a partner program to the 2019 Chicago Architecture Biennale, curated by Jonathan Solomon and David Hays. The exhibition will remain open from August 28 – October 11, 2019.
06/19: Ang begins a six-week residency at RAIR (Recycled Artist Residency) in Philadelphia.
03/19: Inventory is exhibited in Drawing for the Design Imaginary at the Carnegie Museum of Art. Curated by Grace La, Amy Kulper, and Jeremy Ficca.
2018
12/18: Ang moderates a panel discussion for “Hidden Abundance,” a symposium organized by Circular CoLab at the Los Angeles Clean-tech Incubator(LACI).
11/18: Ang takes part in “A Convergence at the Confluence of Power, Identity, and Design,” a panel discussion organized by GSD Women in Design at the Harvard Graduate School of Design.
10/18: Inventory opens in PLAYThings, a group exhibition at the Villa Terrace Decorative Arts Museum in Milwaukee, WI, curated by Jasmine Benyamin, Nikole Bouchard, Whitney Moon, Kyle Reynolds, and Mo Zell.
10/18: Ang presents No Frills at the 2018 Association of Collegiate Schools of Architecture (ACSA) Fall Conference: Play with the Rules.
10/18: Ang presents a lecture in the Architecture and Design Studies program at Sarah Lawrence College, organized by Ivi Diamantopoulou.
09/18: Ang gives an artist talk at Industry Lab in Cambridge, MA.
07/18: Ang begins an artist residency at Industry Lab in Cambridge, MA.
01/18: Ang organizes a public lecture series titled “Cycles of Production,” at the School of Architecture at Northeastern University in collaboration with Tim Love.
2017
11/17: Ang presents “Between a Rock and a Hard Place,” in Common Ground, a student-led lecture series at the School of Architecture, Northeastern University.
11/17: “Alchemical Acts,” is published in Log 41: Working Queer (November 2017), guest-edited by Jaffer Kolb.
07/17: Ang joins the faculty at the School of Architecture at Northeastern University as an Assistant Professor.
04/17: “Trash Talks: The Afterlives of Buildings,” takes place at the LeRoy Neiman Center at the School of the Art Institute of Chicago.
03/17: No Frills is exhibited in Corners, a group exhibition at 1.5 Rooms in Brooklyn, NY, curated by Chelsea Culprit, Ben Foch, Jaffer Kolb, Ian Quate, and Colleen Tuite.
2016
11/16: Ang takes part in “Couplings: Conversations between Architects and Buildings,” organized by Iker Gil and MAS Context at the Chicago Design Museum.
07/16: Ang joins the faculty in the Department of Architecture, Interior Architecture and Designed Objects at the School of the Art Institute of Chicago as a Visiting Artist.
05/16: No Frills opens in Light Industry, a group exhibition curated by Jordan Geiger at the 2016 Echo Art Fair in Buffalo, NY.
04/16: Ang presents “A Wall and a Column,” at Pecha Kucha 20x20 in Buffalo, NY.
02/16: Ang presents a lecture at the School of Architecture in Syracuse University.
2015
11/15: Ang presents a lecture titled “Something Borrowed,” at the School of Architecture at the Rensselaer Polytechnic Institute, organized by Lydia Xynogala.
10/15: “Signs from Above,” is published in Manifest Journal, Issue 2: Kingdoms of God (Fall 2015), co-authored with Jaffer Kolb.
10/15: Ang joins Jaffer Kolb for a tour of Harlem’s churches for “Manifest ParaTours: Adventures in American Architecture,” organized by Manifest Journal.
07/15: Ang joins the faculty at the School of Architecture and Planning at the University at Buffalo as the 2015-16 Peter Reyner Banham Fellow.
04/15: “Raised by Association: Robin Hood Gardens and its Interpretations,” is published in Thresholds, Issue 43: Scandalous (April 2015), edited by Nathan Friedman and Ann Lui.
2014
09/14: “Searching for Origins in Ithaca,” is published in CC: A Cornell Convivium, edited by Sophie Hochhäusl and Melissa Constantine.
05/14: “Taking Liberties,” is published in Clog: Prisons.
04/14: “Horror Vacui: The Making of a Narrative Façade,” is published in Pidgin Magazine, Issue 17, co-authored with Jaffer Kolb and Phoebe Springstubb.
2013
10/13: Horror Vacui is reviewed by Shumi Bose in “Lisbon Architecture Triennale 2013: Close Closer,” for Blueprint Magazine.
10/13: Horror Vacui is featured in “Interiors for Exteriors,” by Valentina Ciuffi in Abitare, Issue 536.
09/13: Ang takes part in “Political Domesticities,” a conversation at the 2013 Lisbon Architecture Triennale organized by the Storefront for Art and Architecture.
09/13: Horror Vacui, a site-specific installation created in collaboration with Jaffer Kolb and Phoebe Springstubb opens at the 2013 Lisbon Architecture Triennale. The piece will remain open to the public from September 12 – December 15, 2013.